Book Signing In Mackay, by Kelly Inglis

Mackay book signing 1SM (Sharon) Johnston and I, in conjunction with Collins Booksellers Mackay, recently hosted a book signing of The Life and Times of Chester Lewis.

The event was well-attended and we were thrilled to sell out all the stock for the event.

One family bought three copies as Christmas gifts, which was wonderful to see.

As a spin-off from the Chester Lewis story, its publisher, The Australian Literature Review, is running a fan fiction competition that will land the winning writer the $2000 first prize for a story based on Chester’s life.

Several of the people who purchased copies of The Life and Times of Chester Lewis at the Mackay book signing expressed interest in submitting their short story to the fan fiction competition.

Mackay book signing 2Entry to the competition for $10 provides writers with access to the Chester Lewis Fan Fiction Group Facebook page, where they will receive tips on fiction writing throughout 2013, and be able to have regular online chats with the Chester Lewis authors. Entrants will have until August 31st 2013 to submit their story.

The Life and Times of Chester Lewis includes numerous award-winning and internationally renowned authors. The book can be purchased online through Amazon.com in both print and e-book versions.

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Author Interviews, Articles, and other Coverage

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Steve Rossiter – Author/Editor Interview (interviewed by Kerry Brown)

Steve Rossiter interviewed by Kerry Brown as part of the Post-Launch Blog Tour for The Life and Times of Chester LewisKerry is a children’s book author from the Gold Coast with 3 books published and also has a story in The Life and Times of Chester Lewis.

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As publisher, editor and a contributing author for The Life and Times of Chester Lewis, you have successfully created a novel-length short story collection using contributions from eleven different authors. How difficult was it for you, as the creator of this concept, to allow the story to take its own creative path?

While I created the book concept, as an integrated short story collection charting the approximately 100 year lifespan of the main character, I decided to let the authors take the story in their own directions with minimal requirements from me. So the story very much took its own creative path with each authors addition to the story. I selected authors throughout the writing process who I believed would do a good job of writing the next story.

Typically, I would approach an author while the story before theirs was being written. They then read all the stories except the one before theirs, plus a brief note about the likely story direction from the author currently writing the latest story. Once the next author read the latest story, the sent me a brief note about the likely story direction and started writing their story.

I was there to make sure the story kept progressing well and to work with each author to amend their story if necessary. Thankfully, the contributing authors did a great job and no major amendments were needed.

How much information was given to each of the authors involved in the writing of this book? Were there any specific guidelines given to them? If so, what were they?

The guidelines for the first story were minimal. I asked Michael White, who I knew had a lot of knowledge and interest in areas of history and science as well as being the author of thirty something novels and non-fiction books, to write a story of around 5000 words leading up to the birth of the main character, whose approximately 100 year life story would be told in the other stories. With that mission, Michael created the first story about Chester’s British parents in Shanghai in 1931, bookended by a scene of Chester in Perth just before his 100th birthday. This story foreshadowed some details about the course of Chester’s life and served as a great source of inspiration for the authors to follow. With each story, the authors picked up on details from the preceding stories and built on them to fill in Chester’s life from the 1930s to the 2030s.

Seeing the book develop one chapter at a time, without knowing what direction each chapter was going to take must have been an exciting process to watch. How long did the process take from initial idea to completion? How did you remain patient?

From conceiving the book idea and first contacting Michael White until the release of the book took 2 years. Each author had about 4-6 weeks to write their story. There were some authors who had to pull out and that extended the overall time period to produce the book, time was spent editing and formatting the book, etc.

How did you come up with the title/main character, Chester Lewis? Is this a character name that has personal meaning to you or was it a result of Michael White ‘giving birth’ to the character through the writing of the first chapter?

The name Chester Lewis came from Michael White’s story. The name worked for me, so Chester Lewis is what we went with. As for the character of Chester Lewis, he was introduced in Michael’s story but built up collaboratively as the story progressed.

I’m not sure if the name Chester Lewis has any special significance for Michael.

In conjunction with the release of The Life and Times of Chester Lewis, you have implemented a fan fiction competition. This competition is for short stories of 2000 – 4000 words and is open to writers worldwide. Can you tell us a little more about this competition and what opportunities it provides for emerging authors?

The fan fiction competition runs until August 31st 2013. It gives 10 writers official recognition as Top 10 Finalists, helps 3 writers find readers through having their story featured in full on ChesterLewis.net as Top 3 Finalists and 1 writer $2000 and the title of Winner.

The fan fiction competition is not just about the top ten stories. There is a private Facebook group for entrants. People can join the Chester Lewis Fan Fiction Group upon signing up ($10 until March 31st, $15 between April 1st and August 31st) and have until August 31st to submit their story. The group is a place where entrants can meet one another, discuss story ideas and their writing, and receive fiction writing tips. Contributing authors from the book and some of their publishing industry friends will also drop by from time to time to leave comments or interact with writers.

Your current work as founder and editor of The Australian Literature Review, Writing Teen Novels (expanding January 1st), Writing Historical Novels (coming January 1st), Writing Novels in Australia (relaunching January 1st with a new line-up of novelists), as well as the fan fiction competitions for The Life and Times of Chester Lewis and Possessing Freedom obviously keeps you very busy. Does your exposure to differing authors and writing styles through these projects impact on your own writing voice?

Exposure to many authors and many writing styles helps develop an understanding of various ways stories are told and allows me to decide on things I like and things I don’t like so much.

However, much of my writing style depends on the story I’m telling and the narrator I’m using to tell the story.

If you were able to place your ten most favourite authors from around the world (dead or alive) into a pot and mix them together to create another novel-length short story collection who would you choose?

Off the top of my head, here are ten authors who might feature on the list:

Stephen King
Robert Louis Stevenson
William Shakespeare
Jodi Picoult
Mark Twain
Michael Crichton
Cynthia Voigt
Isaac Asimov
Carl Sagan
EB White

Where do you see Australian literature in ten years time? What are your hopes and aspirations for your own writing in this time frame?

Lots of things could happen in ten years. Also, I like to focus on individual writers rather than generalising about a category of writers, Australian writers interact with people outside Australia, people move from one country to another, and many major publishers are multi-national.

The majority of people I have met outside the context of The Australian Literature Review who I have asked about their favourite Australian novels have responded that they don’t read many or don’t like many Australian novels they have read, but will typically discuss some of their favourite novels from the US, the UK or somewhere else in depth and with enthusiasm. On a national level, what I’d like to see happen is for great new novelists to emerge whose work will appeal to Australians who don’t currently read many, or any, Australian novels. However, I prefer to think in terms of writers and readers regardless of the nationality of each.

I am currently writing a novel set in 1939 Poland, featuring a teenage main character, with the intention of publishing in 2014. It would be good to follow this up with six more novels, each corresponding to a year of WW2, which would mean a novel released each year from 2014 to 2020. I’d also like to do something with a contemporary setting, maybe with intelligent characters and a scientific and philosophical edge to the subject matter.

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Post-Launch Blog Tour with Steve Rossiter

Steve Rossiter discusses the writing, editing and publishing of The Life and Times of Chester Lewis, as well as the fan fiction competition.

Sat Oct 20
Helene Young (interview)

Sun Oct 21
The Australian Literature Review (interviewed by Kelly Inglis)

Mon Oct 22
Fleur McDonald (guest blog post)

Tue Oct 23
The Graceful Doe (interview)

Wed Oct 24
Bernadette Kelly (interview)

Thu Oct 25
Down Under Wonderings (interview)

Fri Oct 26
ChesterLewis.net (interviewed by Kerry Brown)

Sat Oct 27
Michael Grey (interview)

Sun Oct 28
Read in a Single Sitting (article based on an interview)

Author Interviews, Articles, and other Coverage

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Lia Weston – Author Interview

You wrote the 3rd story in The Life and Times of Chester Lewis, set in 1947 when Chester is 15 years old. Without giving plot spoilers, what can readers look forward to in your story?

It’s a rare teenager who doesn’t develop an infatuation with someone, or indulge in pursuits their parents would be horrified at. In 1947, Chester does both.

How would you describe the personality of Chester Lewis at 15 years old?

Wary, due to the circumstances of his early childhood, but clever. A little bit serious, a little bit lost, but there’s a strong character lurking in there, with a mild tendency towards obsession. I’m curious to see if this is a trait that was developed as his story went along!

How would you describe your Chester Lewis story in juxtaposition to your novel The Fortunes of Ruby White?

Less apples and oranges than prunes and dragonfruit; they have pretty much nothing in common except their author. My Chester Lewis chapter was the first time I had attempted a short story (come to think of it, The Fortunes of Ruby White was the first time I had attempted a novel; there you go – two things in common), and it was also fascinating to work with a character that someone else had invented. Writing a story set in a place I’ve never been (Perth) in a time I’m unfamiliar with (the 1940s) based around a person who I can’t really relate to (a teenage boy) was a challenge, but I’m really pleased with how he turned out. I also tried to write it relatively “straight”, so to speak; most of my fiction is comedic, but I loved being able to try a different tone of voice for this.

The Life and Times of Chester Lewis has a fan fiction competition, for stories 2000 – 4000 words, with a $2000 1st prize. What advice do you have for entrants?

That’s a tricky one, as fan fiction is new to me! I think it would be the same advice I have for any writer—try to find your authentic voice and let it permeate your work, even though in this case you’re working with an established character. Don’t write to be clever or to impress; write what comes truthfully to you. (That, and strip out all unnecessary words. Do you really need to say someone has ‘silky, flowing tresses’? No. You are not re-writing the Sweet Valley High series.)

In a previous interview, following the publication of your debut novel, you wrote about how you would approach the task of writing a novel differently in the future: “As far as things I would definitely do differently, I would highly recommend creating two spreadsheets: a timeline to keep track of the story’s days/weeks/months, and a character arc broken into scenes so you can check your protagonist’s progression at a glance.” For you, is that the key to getting everything to work together as a satisfying story – or do you have a different piece of advice for fiction writers looking to improve their writing?

I think the note about writing what works for you, as mentioned in the previous tip, is probably the best general advice I can give. However! For novel writing, yup, I stick by the timeline and scene notes—they’re not essential, but they can save you so much time and angst, particularly during re-writes. Anything that saves time and angst is gold, I think.

What is one of your favourite novels you have read in the past year, and why?

Sonya Hartnett’s Butterfly. Oh, it destroyed me—so beautifully written. It was an eye-opener in terms of how Hartnett uses language, the way she manipulates it to paint pictures. If anyone is thinking of exploring this side of their writing, I highly recommend it. Plus I got flashbacks to my own very awkward 80s adolescence. (Eek!)

If you could bring one fiction author back from the dead for one day for the sole purpose of discussing writing fiction, who would you choose, and why?

Jane Austen, because I think she was a lot funnier than people give her credit for. I love how she uses tiny signifiers to completely capture someone’s character, so I’d be dying to discuss the art of restraint in fiction, particularly how it works with satirical material.

What is next for your fiction writing?

I’m in the process of re-writing my second novel. I’ve been wrestling with it for a while now, but something seems to have clicked lately, so I’m pretty pleased about that. I’ll keep you posted… :-)

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Lia Weston author site: www.liaweston.com

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Author Interviews, Articles, and other Coverage

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SM Johnston – Author Interview

You wrote the 6th story in The Life and Times of Chester Lewis, set in the early 80s when Chester is in his 40s. Without giving plot spoilers, what can readers look forward to in your story?

Firstly, I decided I knew very little about 40 year old men in the 80s, so I decided to make the main character a young cadetship journalist, Michelle, who gets what she thinks will be her first big story when she interviews the infamous Chester Lewis. It gives the readers the opportunity to see Chester through the eyes of someone who has a bit of a hero-worship crush on him.

I know that there are things I put in the story that writers who contributed in the later stories have run with that I really didn’t expect to be used that way. But that’s the beauty with how this anthology was put together. You read what’s been written to date, try to take the foreshadowing and then charge forward with a new direction.

How would you describe the personality of the character Chester Lewis?

He’s definitely a bit cheeky and adventurous, but he’s also extremely driven. He’s got a whole lot of confidence and can think quickly on his feet. But there’s also a darker side to him. He knows pain and loss and is determined to right perceived wrongs.

The Life and Times of Chester Lewis has a fan fiction competition, for stories 2000 – 4000 words, with a $2000 1st prize. What advice do you have for entrants?

Write to your strengths and think outside the box. Despite my contribution being about a man in his 40s, I wrote it as a New Adult story because I decided to use what I knew I was good at. And it worked. Read through the collection and see if there’s anything untold that you believe needs to be explored more then tell that story.

In addition to your writing, you blog at your personal blog, Down Under Wonderings, and at a YA group blog called YAtopia. Have you found that the ideas and people you engage with for your book blogging help with your fiction writing?

It’s definitely a great way to network and met new people. It has also helped me explore new areas. I was invited to present at The Whitsunday Voices Youth Literature Festival on social media and literature and it was a lot of fun. I also found critique partners online, which really helped me grow as a writer Sometimes it can be a distraction – you can end up spending more time writing blog posts then working on your own writing at times.

I’ve learnt about the economy of words, especially through platforms like Twitter. Quite often it will spark ideas as well. I saw online talk about a anti-Valentine’s Day anthology and then I couldn’t shake an idea that popped into my head. So I wrote A Winged Fool as a result, which is a story about a young Cupid who hates Valentine’s Day. I don’t know if it will be picked up in the anthology, but it was so much fun to write – especially as it was in a guy’s POV.

You could be described as an emerging fiction writer. How would you describe how far you have come as a fiction writer and your approach to where you’d like your fiction writing to lead?

When I first started out writing seriously, I had great ideas but was very green at my craft. My qualifications are as a journalist and a corporate writer. That’s a good start, but it’s not the same thing. I’ve spent a couple of years honing my skills and learning everything I can to improve my work.

The first thing I had success with was short stories, with Growth and Karma, and both of them came to me from a time of deep grief with my father’s death.  But they were both also stories I felt passionate about and I think that’s something that’s key for me, to write stories I’m passionate about, not to try and write to trends.

I never realised how much revision was involved in writing a novel, but my manuscript for Sleeper has been through multiple revisions and rewrites and I know it’s ready for publication now – it’s just got to find a publisher that falls in love with it. It’s been this editing process that’s helped me the most with my writing. I worked with award winning Australian writer Angela Slatter and American writer and freelance editor Aimee Salter on the manuscript and they each highlighted things in my writing that I can improve.  Now I catch myself going to use them and pull myself in.

I’ve also spent a lot of time on my online profile to show potential agents and publishers that I’m serious about making this into a career. There’s a high expectation that authors will play a large role in the promotion of their work and I’m developing a strong following, particularly in the United States with my blog and twitter. I think it shows that I understand my promotional obligations as a writer and that I’m up to the task.

At the moment I’ve got a novel out on submission with publishers, waiting to see if it’s right for them. I’ve got a couple of works in progress on the go, include a novel length version of Karma, my story which was runner up in a YA short story competition run by The Australian Literature Review.

I’ll also be taking another new step soon as, fellow Chester Lewis contributor, Kelly Inglis and I are making plans to host short story workshops later this year.

What is one of your favourite novels you have read in the past year, and why?

Only one?  There’s far too many to choose from.

I love Cath Crowley’s Graffiti Moon as it really captured those awkward years for an Australian teenager. The bike riding scenes made me all nostalgic. The characters are amazing and the interweaving dual POV story telling takes awkward misunderstandings to a new level. I’m hanging out to read her next novel, The Howling Boy.

I should mention that this year I’ve also read, and loved, A Thousand Suns by Beth Revis because of it’s amazing social commentary in a space setting, The Lux series by Jennifer L. Armentrout because they are fast, fun and addictive, This Is Not A Test by Courtney Summers because it captured raw human emotions in a zombie setting and From the Ashes by Adrien-Luc Sanders because it has an awesome anti-hero and is the perfect male POV.

If you could bring one fiction author back from the dead for one day for the sole purpose of discussing writing fiction, who would you choose, and why?

Even though he’s a playwright rather than an author, it would have to be Shakespeare. I’d love to know what he thinks about how famous his work has become as well as to pick his brains on exactly what he was trying to get at with some of his novels.

What is next for your fiction writing?

I’m hoping Sleeper will find a home with a publisher soon. I know that it  hit the mark with audiences internationally as it was the most popular Australian story on the YA site Inkpop (which since has been sold to Figment). And if it does get picked up then my focus will be working with an editor on revisions.

But I will be continuing to focus on my works in progress, particularly Karma, as well as looking for other short story opportunities. I’ve been plotting a YA Science Fiction about alien immigrants for NaNoWriMo so that will probably take up November for me.

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SM Johnston author site: www.downunderwonderings.blogspot.com

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Author Interviews, Articles, and other Coverage

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Jo Hart – Author Interview

You wrote the 7th story in The Life and Times of Chester Lewis, set in 1990 when Chester is 57-58 years old. Without giving plot spoilers, what can readers look forward to in your story?

Chester is keeping secrets and a family camping trip is more than just an attempt to spend time with his son. Unfortunately for Chester, even a camping trip may not be enough to escape his past and keep his family protected.

How would you describe the personality of Chester Lewis?

He’s a smart man and a business-minded man. He believes in hard work. He is also protective of those he cares about, though he is not one to share everything with them.

How would you describe your Chester Lewis story in juxtaposition to your other fiction?

I generally write a lot of fantasy and stories geared towards a younger readership, whereas my Chester story is very much grounded in the real world and more suited to adult readers. I do enjoy including action and adventure into my fantasy stories and my Chester Lewis story is no different in that regard.

Another big difference for me was writing from the perspective of a 57-year-old man. With the exception of my story ‘Eighteen for Life’ (in the anthology Eighty Nine), which has an eighteen-year-old male protagonist, my other published stories have all been from a female perspective. I had to get myself into the headspace of a male, and I drew a little bit on my dad, actually, who is close to the age Chester is in my story. I would ask myself, ‘How would my dad think/feel/react’. Of course I had to factor in Chester’s experiences and personality, too.

The Life and Times of Chester Lewishas a fan fiction competition, for stories 2000 – 4000 words, with a $2000 1stprize. What advice do you have for entrants?

Can I start by revealing a secret? I currently have two stories on auslit.net that originally started their lives as fan fiction. Fan fiction can be a great way to inspire ideas and practise your craft.

The thing I love about fan fiction is that you can take characters, even minor characters, and explore their untold stories. My advice for entrants into the fan fiction contest would be to do just this. Tell the untold stories of the characters. Explore the events of the intervening years. Tell the story from another point of view or tell the story of what happened to one of the minor characters before or after their entry into the story.

You could be described as an emerging writer. How would you describe how far your fiction writing has come and your approach to which direction you’d like to take your fiction writing?

The last two years have been a real confidence booster for me in terms of my fiction writing. As a writer it’s often hard to feel confidence in your own writing, especially when you are yet to be published. Having had a few different stories published has given me validation about my writing. The key for me has been to just keep writing and to learn from my rejections and from my successes. The past few years I’ve had the opportunity to work with an editor and with other writers, which has been invaluable in terms of improving my craft. I don’t think I would be where I am without their advice and critiques.There is great value in gaining insight from others who are knowledgeable in writing. All writers should have a critique partner or a critique group.

Apart from gaining critiques from others on my writing, my other approach has been to submit! I realised I was never going to get published if I never submitted anything. Like most writers, I’ve had rejections, but rather than let them get me down, I’ve used them as a way to ask myself, ‘What can I do to improve?’ I also try to enter competitions where there is an opportunity for critique. The CYA conference is a good one for writers of children and young adult books as every entrant receives feedback.

My approach at the moment is to keep on writing, getting feedback and submitting.

What is one of your favourite novels you have read in the past year, and why?

I really enjoyed Sweetly by Jackson Pearce. I’m a real sucker for twisted fairytales and found her writing in Sisters Red to be fantastic, so I couldn’t wait to read Sweetly, which is loosely based on Hansel and Gretel. She does a great job of weaving the original fairytale into the modern world and including her own mythology. I enjoy stories that keep me guessing, and Sweetly does this.

Another book that was amongst my favourites this year was Karen Tyrrell’s Me & Her: A Memoir of Madness. I don’t tend to read memoirs, but I was really hooked into this one from the first page. What made this book so compelling was how relateable the main ‘character’ was (especially considering she was a teacher like me). I was totally drawn into her story.

If you could bring one fiction author back from the dead for one day for the sole purpose of discussing writing fiction, who would you choose, and why?

Ooh, that’s a hard one! I’d probably say Tolkien as I’d really love to pick his brain about world building.

What is next for your fiction writing?

I’ve been focusing a lot on writing picture books lately. I’ve been participating in Julie Hedlund’s 12 x 12 in 2012 picture book writing challenge and have a folder full of picture book drafts to work on. I also have a couple of fantasy novels I’m working on, but they are on hold at the moment as I have a young baby at home, which is quite time consuming!

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Jo Hart author site: www.thegracefuldoe.wordpress.com

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Kelly Inglis – Author Interview

You wrote the 9th story in The Life and Times of Chester Lewis, set in 2005, with Chester at 73 years old. Without giving plot spoilers, what can readers look forward to in your story?

In Chapter 9, I pull together some of the events that are hinted at by the other authors, showing how they are all intertwined with the events in my story. Chapter 9 really gets to the heart of Chester, showing just what lengths he is willing to go to in order to get what he wants.

This was a really exciting, yet challenging, project trying to keep true to the story while integrating the information, sub-plots and voices of the characters written by the other authors. I still don’t know what happens in the last two chapters. I’m itching for the release on October 1st so I can find out how it all ends!

The Life and Times of Chester Lewis has a fan fiction competition, for stories 2000 – 4000 words, with a $2000 1st prize. What advice do you have for entrants?

The authors left a number of potential new storylines in their chapters – pick up one of them and show us where they lead. Or alternatively, tell the story of specific events in The Life and Times of Chester Lewis from the point of view of a different character.

You won a short story competition last year with your story Desert Threads and, now, your story in The Life and Times of Chester Lewis is your first story published in print. How would you describe your journey to this point in your fiction writing?

My mother informs me that I first started telling her that I was going to be an author when I was 6 years old. I was a voracious reader, and have written poetry and short stories my entire life. As an adult, I have still always been inspired to write, and have attended writing classes and workshops when I can. I’ve always been a writer, but never felt I was truly an author.

Desert Threads was the very first story I entered in a writing competition, and I was absolutely thrilled to be shortlisted, and then to win. I think that it was validation for me that someone outside of my family and friends believed I could write well. It has inspired me to write more frequently, and instilled the belief in myself that I’m not just a writer, but an author, and a published author at that!

What was it like contributing to The Life and Times of Chester Lewis as an emerging fiction writer?

When Steve from The Australian Literature Review invited me to join the Chester Lewis integrated short story collection I was incredibly excited. Again, it was validation for me that my passion for writing wasn’t a wasted effort. Then when I saw the calibre of authors with whom I would be contributing, I was humbled (and terrified!). I feel absolutely honoured to be included in this collection alongside such talented authors, both well-published and emerging like myself.

Without giving plot spoilers, how would you describe the personality of Chester Lewis?

Chester Lewis vacillates between altruism on a global scale, and narcissism when it comes to more personal things. He’s a man with good intentions, but is often selfish when it comes to his family. But in Chapter 9, Chester does end up showing us his Achilles heel…

If you had to write a fiction book set before 1900, what time and place might you choose for the setting, and why?

Paris! I adore Paris – the architecture, the food, the language – but these days the culture is very much targeted towards the tourist industry. I’d love to research how Paris was before 1900, before it became so commercialised, and set a story there. The story I was going to submit before I wrote Desert Threads was actually based in Paris.

What is one of your favourite fiction books you have read in the past year, and why?

I love a good murder mystery, a fast-paced action novel, or a heart-wrenching drama, but I’ve steered a bit away from those recently, and have read some excellent biographies over the past year. My favourite fiction novel from the last year was also somewhat different from the stories I usually read. CE-5 (Close Encounters of the Fifth Kind) by Anurag Goel is an excellent sci-fi/fantasy novel. The author uses beautiful prose to build exquisite alien worlds, but with a personal interest in physics and a wife who is a medical researcher, he weaves those scientific concepts into the story in a very readable way. The story is intelligent, but this is wonderfully balanced by the pure escapism of it. I’m also enjoying reading one of my childhood favourites to my six-year-old right now – The Secret Garden by Frances Hodgson Burnett was always one of my favourites, and I’m thrilled that my son begs me to read a bit of it to him each night.

What is next for your fiction writing?

I have so many stories that are begging to be written! I have three children’s stories that I’m hoping to find new homes for soon, hopefully with a publisher. I also have several novels in various states of completion. After spending a decade as a medical researcher and a few years as university lecturer, lecturing on human disease, I love to integrate my scientific knowledge into my stories. I love writing what I call “science-based fiction” – fictional stories based in scientific fact, but of course I have to throw in a good murder mystery to make it exciting.

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Kelly Inglis Facebook page: http://www.facebook.com/KellyInglisAuthor

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